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Tower 4:190:00/4:19
“….while becoming gold is the goal of the experiment, every form along the way is just as vital.”
Slow Alchemy is a peculiarly captivating musical entity known for their heavy soundscapes, rich harmonies, and introspective lyrics showcased against the backdrop of Albuquerque, New Mexico’s alternative indie rock scene. Gleaning inspiration from the storytelling of Mewithoutyou, the melodic intimacy of Sufjan Stevens, and the energetic intensity of Manchester Orchestra (yet unlikely to greatly resemble any of the aforementioned), Slow Alchemy weaves a unique tapestry of music that resonates deeply with listeners.
Despite writing songs for over 2 decades, Slow Alchemy debuted their live performance in June of 2023 for a one-off show commemorating front-woman Tin’s 30th birthday (in a definitive attempt to overcome her longstanding resistance to perform her own music) with the intention to mark it off the ol’ bucket list and move on- but credited to the outpouring of love and support from the community and undeniable emerging synergy of the band, has since evolved into a dedicated project. Tin was joined by her brother Stephen Haynes on bass and vocals, April Cox on guitar and vocals, and Matthew Crocket on drums- solidifying the bands current collaborative lineup of seasoned musicians.
Since their inception in the summer of 2023, Slow Alchemy has made their mark on the local music circuit, sharing the stage with a diverse array of talented acts such as Dymer, Cee Mo & the Lovers, The Directory, TimeFoolery, Miserable Things, Sisterbaby, Big Girls, The Heart Club and many more. The band has also had the honor of opening for national touring acts including Byland, Spirit Mother, Cloakroom, Shadow Basket, and Twin Seas, showcasing their ability to hold their own alongside established names in the industry.
Currently, Slow Alchemy is gearing up for a new chapter as they shift focus from live shows as they enter the studio to begin recording their full-length album, slated for release in 2026.
Keep an eye on Slow Alchemy as they prepare to unveil their latest work. This upcoming project promises to showcase their artistic evolution, and invite listeners to evolve alongside them.
Tin Haynes
Vocals/Guitars
Stevie Haynes
Bass/Vocals
April Cox
Vocals/Guitar
Matthew Crockett
Drums
Slow Alchemy started out as lonely nights, self sufficiency and sound- simple songs with too much reverb that acted as a container to memorialize transformation, catalogue dreams and visions, and prompt a willingness to show up, whatever state we may find ourselves in… trusting that while becoming gold is the goal of the experiment, every form along the way is just as vital (and valuable).
When Tin, Slow Alchemy’s brainmama and front-woman, responded with a shrug to the question of what genre she would categorize her music as, she was met with a response that her songs make people “feel like it’s the end of the world, and they’re falling in love.” Love and the apocalypse are indeed two heavily treaded topics for the indie rock outfit- and many of the works dance effortlessly between the two. “Perhaps love and the apocalypse are one in the same”, she notes with a laugh… But Tin wants her listeners to know that not only are there songs written about love and the end of the world, but also situations that only once felt like love or the end of the world at the time they were written… an honest distinction from the artist who’s goal from the onset has been to allow for massive concepts such as mystery, re-spun biblical narratives, and the wonders of the cosmos-to common lived experiences such as cancelling on a Taco date last minute due to general malaise (on the altpop single “Tuesday”), or watching tv and doing the dishes. “I may have my head in the clouds… but I attempt to tether myself back to the moment I’m living. I’ve got sausages on the stove, the dog needs a walk, the garden needs to be watered, I’m due for a trip to the laundry mat…. At the same time, I’m concerned about my soul, romance and friendships, the wars waged on earth and in heavenly realms, capitalism, the meaning of literally everything… Everything that exists, or might exist, exists at once. Compartmentalization is counter to the unity of all things, and very much how we’ve found ourselves in the position we are in here in the United States, and humanity at large. I can see a box with the inscription “Break Glass In Case Of Emergency”- and this has gone far beyond an “emergency”. And what’s in the box? All things. No-thing. God, I hope.”